tag:blogger.com,1999:blog-13536898759888437902024-02-22T06:05:12.265-08:00Huldra PressHULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.comBlogger348125tag:blogger.com,1999:blog-1353689875988843790.post-41882449394513736372017-09-28T10:29:00.000-07:002017-09-28T10:29:05.680-07:00The blog has movedThe Huldra Press blog has moved to my <a href="https://www.mariannedages.com/huldrapress/">website</a>. The archives have been moved as well. If you subscribe through a feed reader and would like to keep reading new posts, please update your RSS feed to<br />
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https://www.mariannedages.com/huldrapress/?format=rss<br />
<br />
Can't believe it's been eight years since the first post in 2009...So much has changed. The huldrapress.blogspot.com address will remain for now but will eventually be deleted as all the old content has been moved to the new website as well.<br />
<br />
Thank you!HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-13648311603661208222016-10-31T07:20:00.001-07:002016-10-31T07:20:12.402-07:00UltricesA few weeks ago I was lucky enough to spend a few days collaborating on a book with <a class="profileLink" data-hovercard="/ajax/hovercard/user.php?id=56600068" href="https://www.facebook.com/leah.mackin.7">Leah Mackin</a>,
who's work I've admired for a long time. That book is <i>Ultrices</i>, an
artist's book about place, systems, and chance. Each book is unique,
this is a selection of page spreads from the edition. The book is
available for sale, details in the link if you're interested.<br />
<br />
<div class="description t-full-width wordy border-color description-1 ">
Colophon: <i>Ultrices</i> is a collaboration about place, systems, and chance by Marianne Dages and <a href="http://leahmackin.com/" shape="rect" target="_blank">Leah Mackin</a>. Conceived, drawn, printed, and bound by the artists at Huldra Press in Philadelphia. 2016. Variable Edition of 40 books.<br />
<br />
The
text was generated using the pdf and Google Translate as chance
operations. Its source is Sigmund Freud's essay, "The Mystic Writing
Pad." <br />
<br />
Available for $140, please <a href="http://mariannedages.com/contact.html" shape="rect">contact</a> if interested.<br />
Each book is unique, this is a selection of images from the edition. There is a gallery of more images at my website <a href="http://mariannedages.com/section/442459-ULTRICES.html">HERE</a>.</div>
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com1tag:blogger.com,1999:blog-1353689875988843790.post-20513036436374446642016-08-21T05:44:00.000-07:002016-08-21T05:44:42.370-07:00Beisinghoff Printmaking Residency<div class="separator" style="clear: both; text-align: center;">
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:: monoprints ::</div>
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:: letterpress ::</div>
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:: the scraps ::</div>
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:: taking walks ::</div>
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-65837874911409722642016-08-07T14:04:00.000-07:002016-08-07T14:04:47.259-07:00Chance<div class="separator" style="clear: both; text-align: center;">
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<i>By using chance operations we can get to points with which we are unfamiliar - </i>John Cage</div>
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<br />HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-82952269011607332192016-08-04T12:41:00.000-07:002016-08-04T12:41:00.747-07:00Beisinghoff Printmaking Residency<div class="separator" style="clear: both; text-align: center;">
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I am in Rhoden, Germany for one month as an artist in residence at the Beisinghoff Printmaking Residency. I am getting settled in and went for a long walk today to look and listen. My plan is to make new prints, possibly an artist book, that will use and respond to the materials I find here. The presses here are all hand inking only, so I also want to challenge myself to loosen my hand and experiment with monoprints, and layers.</div>
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:: found words ::</div>
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:: composing stick ::</div>
HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com1tag:blogger.com,1999:blog-1353689875988843790.post-24189701988003726642016-06-15T14:57:00.005-07:002016-06-15T14:57:54.556-07:00Stations<div class="separator" style="clear: both; text-align: center;">
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I started writing <i>Stations</i> in the winter. I had just installed a solo exhibition and with that came a familiar feeling of exhaustion and doubt. Almost every night, I found myself watching a Youtube video from the movie Christine F of David Bowie performing <a href="https://www.youtube.com/watch?v=KxtqJxq2yck" target="_blank">Station to Station</a>. Over and over. In the film, Bowie enters slowly in red, a sweeping green curtain behind him. The song begins with a mechanical grind, then a beat like a giant's plodding steps. There is smoke in the air and in the words. I was fascinated by its pageantry.</div>
<i><br />Here are we, one magical moment, such is the stuff<br />From where dreams are woven<br />Bending sound, dredging the ocean, lost in my circle<br />Here am I, flashing no color<br />Tall in this room overlooking the ocean<br />Here are we, one magical movement from Kether to Malkuth</i><div>
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<i>There are you, you drive like a demon from station to station</i> </div>
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And with the words are gestures. Gestures of power, and magic, and beauty, as the song swells towards its manic conclusion. </div>
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I took screen shots and collected them in a file. And I started writing a poem for each song of Station to Station. Then David Bowie was gone. I watched the video over and over in tears. I finished the poems, did a reading of the poems, and put them aside<i>.</i></div>
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The last two weeks, I taught a letterpress workshop at Penland School of Crafts, it was called "Text as Image, Type as Thought." The focus was on the visual and conceptually potential of working with text. I worked with the most wonderful group of students, and their endless energy is what inspired me to finish this book.</div>
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Recently, three of the poems were published in the The Found Poetry Review's special issue of David Bowie inspired poetry. You can read those <a href="http://bowietry.foundpoetryreview.com/" target="_blank">here</a>. </div>
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Each poem is written using Google Translate and a song from Station to Station as sources of ideation. The covers are letterpress printed, the inside of the book is are single color photocopy prints. There is an edition of ten in blue, and ten in gray. This is the blue edition.</div>
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-25983072244654602892016-06-15T13:36:00.000-07:002016-06-15T13:37:03.763-07:00Instruction<div class="separator" style="clear: both; text-align: center;">
I made this quiet, little book in the spring. The text reads</div>
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INSTRUCTION</div>
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1 The Towers</div>
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light grey, windows white</div>
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a crack in the floor, a vase</div>
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make these</div>
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in front of the towers</div>
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a silver cord</div>
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lies on the ground</div>
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leave it carefully</div>
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you fold like smoke</div>
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to begin again</div>
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for Ophiel</div>
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<br />HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-24054246007502160132016-03-11T16:01:00.000-08:002016-03-11T16:01:38.082-08:00Lost in TransitA few shots of my work up at SOIL Artist Run-Gallery in Seattle, WA, part of the terrific group show Lost in Transit. Thank you <a href="http://rickyyanas.com/" target="_blank">Ricky Yanas</a> for these great photographs!<br /><br /><span style="font-family: inherit; font-size: xx-small;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6ds7u3kIg5YdIfKP4dGeznGV_W4M9g6WQeiOib5Gf8MxU4DvCdSb24CLfdE3aqUSLmIVylKVfO2DegSz1_lBMG15Rzh5kd4Zoj0BvPOba9dSPQhmUwGD1h4129cEbky9HMuqH357Z9HU/s1600/Ocean2sm.jpg" imageanchor="1"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1kjG4g0P4bzW9VoqZ96lbGil_TThB6RULRjweHeQKxslP0-d_8VFnzVOCh1x7avfLTd374zlBUMWVSlsJ250QBu1jNeSU4J0LsRRB1NAkNOsbotttLnrnJr4c-QfVsU_7bVte_mUrVn8/s1600/OceanSm.jpg" imageanchor="1"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6ds7u3kIg5YdIfKP4dGeznGV_W4M9g6WQeiOib5Gf8MxU4DvCdSb24CLfdE3aqUSLmIVylKVfO2DegSz1_lBMG15Rzh5kd4Zoj0BvPOba9dSPQhmUwGD1h4129cEbky9HMuqH357Z9HU/s1600/Ocean2sm.jpg" imageanchor="1"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6ds7u3kIg5YdIfKP4dGeznGV_W4M9g6WQeiOib5Gf8MxU4DvCdSb24CLfdE3aqUSLmIVylKVfO2DegSz1_lBMG15Rzh5kd4Zoj0BvPOba9dSPQhmUwGD1h4129cEbky9HMuqH357Z9HU/s640/Ocean2sm.jpg" width="640" /></a></span><br />
:: Left to Right, Alexis Nutini, Douglas Witmer, Me (Inheritance), Me (Ocean), and Ezra Mauch ::<div>
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:: Inheritance, Lead and Fine Woodworking Magazines, 2015 ::</div>
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:: Left, Ocean, letterpress on paper, 2015 ::</div>
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<span style="font-family: inherit;"><i><a href="http://soilart.org/" target="_blank">Lost in Transit</a></i> explores mythologies of disappearance, the anxiety of travel, and the precarious nature of man-made structures in the work of eighteen Philadelphia artists. Using H. John Thompson’s 2014 sculptural project Holding Our Own (2014), the focus of which is the legend of DB Cooper, the only unsolved airline hijacking in US history, as a jumping-off point, the members of each gallery were prompted to dig into their own bodies of work (new and old) to find formal and contextual similarities that would link them to this loaded subject. In doing so the exhibition acts as a kind of detective tale looking for clues, piecing together bits of information, and attempting to follow elusive threads of continuity and synchronicity within a diverse collection of styles and practices.<br /><br />The exhibition includes pieces by Marc Blumthal, Marianne Dages, Christina P. Day and Ricky Yanas that engage in the distortion, breakdown, and absence of their subjects. Prints and sculpture by Alexis Granwell, Leslie Friedman,Terri Saulin Frock, and Tamsen Wojtanowski suggest complex and elusive languages that exist outside the realm of logic and rationality. A selection of suitcases made especially for Tiger Strike Asteroid Philadelphia’s space in December’s Artist-Run at The Satellite Show Miami Beach will also be included. These subversive objects hint at the tricky nature of contemporary navigation and travel while also referring to the gallery’s own institutional history.<br /><br />Together, the works selected for this exhibition form a conceptual trajectory that moves viewers in and out of iconic and banal imagery, ethereal and hardedge forms, light and dark spaces, and into a search for something that may have never been there.<br /><br />Artists: Todd Baldwin, Marc Blumthal, Mark Brosseau, Lewis Colburn, Christina P. Day, Marianne Dages, William DiBello, Leslie Friedman, Terri Saulin Frock, Alexis Granwell, Ezra Masch, Alexis Nutini, Joanna Platt, Kayla Romberger, H. John Thompson, Douglas Witmer, Tamsen Wojtanowski, Ricky Yanas<br /><br />A couple more shots of the show in its entirety. The show looks incredible, I wish I could see it in person! Thank you to everyone at SOIL and Marc, Ricky, John, and Mark and everyone else who worked so hard to plan, install, and make it happen.</span><div>
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-20641932643400487532016-01-19T18:08:00.000-08:002016-01-19T18:08:24.113-08:00Winter News<div class="separator" style="clear: both; text-align: center;">
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<a href="http://penland.org/classes/summer/summer_session_1.html" target="_blank"><span style="font-size: large;"><b>Text as Image, Type as Thought</b></span></a></div>
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<span style="font-size: large;"><a href="http://penland.org/classes/summer/summer_session_1.html" target="_blank"><b>Session 1: May 29th - June 10th</b></a></span><br />
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<b>A Two-week Letterpress Workshop at <a href="http://penland.org/" target="_blank">Penland School of Crafts</a></b></div>
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This workshop will focus on experimental applications of traditional letterpress techniques and the role of text in art. We’ll investigate how wood and metal type and common print shop materials can create unique textures, refined imagery, and meaningful content. We’ll draw inspiration from the Penland type collection and from artists who use text as prompt and image. You’ll learn to set type, fold simple book forms, and print on a Vandercook proof press. Each student will take home a collection of prints and a new appreciation of the printed word in all its forms. All levels. Code 01L<br />
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Studio artist; teaching: Tyler School of Art (Philadelphia), University of the Arts (Philadelphia), Common Press (Philadelphia); Herhusid residency (Iceland); collections: Museum of Modern Art (NYC), St. Bridge Foundation (UK), School of the Art Institute of Chicago; exhibitions: Print Gallery Tokyo, International Print Center (NYC). mariannedages.com <br />
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<span style="font-size: large;"><a href="https://www.facebook.com/events/948570211864382/" target="_blank"><b>Wind Challenge 2: Performance Event</b></a></span></div>
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<b>Friday, January 29th, 6-8pm</b></div>
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Readings begin at 6:15 p.m., reception following until 8:00 p.m</div>
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<img border="0" height="487" src="https://blogger.googleusercontent.com/img/proxy/AVvXsEjXg2hyvKt8MQln29meF3sZSqC81GLsqae1gH-0H8hirYrFmr_oKrIhY4j8lUT6xdedyjcQGJEdS7HH5EYjoVL-8i_mq9l9mfiwAryOykV05jjeO4AApfX1R69VZUzZMoj2iPDUoyzGh2lhN-SX8OSYDNjDsc_a6yFHRRG7IYMeS60m3fz_WYG22Zt_8vxC6stn4wWjknIP8x8pKej-TuFigLT3qeHPcg=s0-d-e1-ft" width="640" /><br />
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:: Marianne Dages, <i>Dictionary I</i>, Gouache, pencil, and silver point on paper ::</div>
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Jacintha Clark, Marianne Dages and Nichola Kinch present in collaboration three, short experimental performances in conjunction with the Wind Challenge 2 series. Each artist has selected a piece of text related to their work to be performed in the space of their solo exhibitions in the style and method of their choosing. Live and one night only.<br />
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Fleisher Art Memorial</div>
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719 Catharine Street</div>
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Philadelphia, PA</div>
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Exhibition runs December 4th -January 30th</div>
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Monday-Thursday- 9am-9pm</div>
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Friday- 9am-5pm</div>
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Saturdays- 9-4pm</div>
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<span style="font-size: large;"><a href="http://www.coopgallery.org/project/far-more-real-napolean-collective-at-coop-january-2016/" target="_blank"><b>Far More Real</b></a></span></div>
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<b>NAPOLEON Collective at COOP Gallery</b></div>
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January 2- January 31 2016</div>
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<img border="0" height="400" src="https://blogger.googleusercontent.com/img/proxy/AVvXsEjMLOg9gdrjUV9m3F2Qc9-nVHPJJC-PWhW8Fi8aGlg0DjgGpGvWtEUSaD_HG4aAfr4UFXBCUi5QA0-iW3l32dR5vYJsoxNSqejq_91RhJTk7FUfmGOfUMqQiU7Empkxc3FPTcnbl8q5kKR0fg4GtP8Y-bkDXdBjOkZVMPR4YehkiFR3HKjVNBVhkbe6U-1Cu5jXxh9CCfFLJ8hdOiKG9792A_zKE1J7xw=s0-d-e1-ft" width="338" /></div>
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COOP Gallery and the NAPOLEON Artist Collective in Philadelphia are pleased to present Far More Real, a group exhibition featuring members of the NAPOLEON collective in a month-long exchange between the two spaces.<br />
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Far More Real is a group show from the members of the NAPOLEON Collective in Philadelphia that examines the work of each artist-member through Plato’s “Allegory of the Cave. <br />
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More about COOP:<br />
COOP is a curatorial collective made up of artists, curators, thinkers and professors who are committed to expanding Nashville’s dialogue with contemporary art by presenting challenging new or under-represented artists/artworks to our community. COOP is committed to exhibiting art of diverse media and content, with a goal to provide an alternative venue for artists free from the constraints of the retail market. COOP seeks to initiate a discourse between Nashville and art scenes across the country by inviting artists to show, develop projects and interact with the Nashville community.<br />
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-72067557404749220132015-11-20T14:43:00.001-08:002015-11-28T10:37:12.794-08:00Wind Challenge, Opening December 3rd<div style="text-align: center;">
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::Marianne Dages, Veil<i> </i>(detail), letterpress print on okawara paper, 2015 ::</div>
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If you are near or around Philadelphia, I am very honored and excited to be taking part in the <a href="http://fleisher.org/exhibitions/the-38th-annual-wind-challenge/" target="_blank">Wind Challenge Exhibition series</a>. I will be debuting a series of printed and drawn work.</div>
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<i>"Established in 1978, the Wind Challenge Exhibition Series is an annual juried competition that is committed to enriching and expanding people’s lives through art. Three Wind Challenge Exhibitions are held from September through May, featuring the work of exceptional artists living in the Philadelphia region."</i><br />
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Challenge 2: <a href="http://www.jacinthaclark.com/" target="_blank">Jacintha Clark</a>, <a href="http://www.mariannedages.com/" target="_blank">Marianne Dages</a>, and <a href="http://nicholakinch.com/" target="_blank">Nichola Kinch</a></div>
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December 4-January 30</div>
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<b>Opening Reception is December, 3rd from 6-8</b></div>
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Fleisher Art Memorial<br />
719 Catharine Street <br />
Philadelphia</div>
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I hope you can join us!</div>
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::Marianne Dages, <i>Ka </i>(detail), letterpress print on okawara paper, 2015 ::</div>
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-44717885033777189702015-10-13T14:40:00.002-07:002015-10-13T14:40:41.250-07:00Pagus, 12 x 12, and PlutoThis summer/fall, I participated in two portfolio exchanges, 12 x 12 and a Pluto Print Exchange. I also have new work on in an exhibition at Pagus Gallery in Norristown. <div>
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First, the new installation, <i>Future Ritual </i>is included in the exhibition PRESS PLAY at <a href="http://www.pagusgallery.org/">Pagus Gallery</a>. This exhibition includes print-based works by artists Marc Blumthal, Sarah Bourne Rafferty, Marianne Dages, Michael Kowbuz, Lauren Pakradooni, and Stacy Rosende. <div>
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:: Marianne Dages, detail of the installation <i>Future Ritual, </i>2015 ::</div>
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<br />The exhibition, curated by Lisa Sylvester, looks at the varied ways in which contemporary artists work in printmaking, and at how play and experimentation with process and materials shape meaning and provoke new questions for the artist to grapple with.<div>
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<a href="http://www.pagusgallery.org/">Pagus Gallery</a> <div>
October 1st – November 13th 2015<br />619 W. Washington St.<br />Norristown, PA 19401</div>
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12 x 12, curated by <a href="http://www.trevorpowers.net/">Trevor Powers</a>, is an artists' book/zine swap including the work of six Massachusetts and six regional/national artists that considered the number twelve in one way or another.I contributed <i>An End</i>, an eight page folded letterpress book that considers references time and endings. The 12th hour. <br /><br />The text reads, <i>She is the color of black burning fire and of things which have come to an end.</i><br /><br />The image used over and over in the book is of a mirror in the process of shattering. <br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJqB4QgePAs7RLEJVHBCwQiTyk_QLhJWrj9cUJrRkYJegtlgm0hSRUj7g-lYQbRc9VoecChAKz60XtWNRpacrhYAgshbTSRNdnLnLoHeYwiQJbk4aGY-gIwE0CzCGSM6CgtIrQxnuvgWI/s1600/12x12_books_02_800.JPG"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJqB4QgePAs7RLEJVHBCwQiTyk_QLhJWrj9cUJrRkYJegtlgm0hSRUj7g-lYQbRc9VoecChAKz60XtWNRpacrhYAgshbTSRNdnLnLoHeYwiQJbk4aGY-gIwE0CzCGSM6CgtIrQxnuvgWI/s640/12x12_books_02_800.JPG" /></a><br /><div style="text-align: center;">
:: 12 x 12 box ::</div>
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:: Bottom Center, Marianne Dages, An End, 3.875” x 6.25”, 8 pages ::</div>
<br />The other exchange was print based, and the theme of the exchange, the planet Pluto. For this a wrote a text titled Preparation Ceremony using the <a href="http://www.theoi.com/Text/OrphicHymns1.html">Orphic Hymn</a> to Pluto as source of ideation. The text has a futuristic tone to it, and it written like a letter from one entity to another...<br /><br /><i>My dear receiver,<br />It is later in life<br />I have accessed a powerful sequence<br />where the end is not a color<br />It makes me feel humble and chthonic<br />I am heavy with knowledge<br />like fruit<br />I am so secure...</i><br /><br />The print is a 3-color letterpress monoprint and text. <div>
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:: Marianne Dages, <i>Preparation Ceremony</i>, Letterpress on paper, 9" x 9", 2015 ::</div>
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-81330794850600400562015-09-03T11:27:00.000-07:002015-09-03T11:28:31.962-07:00Marianne Dages. Works. Mainly Printed.<a href="http://www.printgallerytokyo.com/">Marianne Dages. Works. Mainly Printed.</a> A solo exhibition of prints, books and drawings at <a href="http://www.printgallerytokyo.com/">print gallery</a> in Toyko, Japan, ran from July 11 - August 9, 2015. To print gallery tokyo...my most sincere and thanks. For this opportunity, designing this beautiful exhibition, for everything.<br />
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-81944639119919203032015-08-14T07:07:00.000-07:002015-08-14T07:07:33.948-07:00Recent Ideas<div class="separator" style="clear: both; text-align: left;">
Work from this summer. </div>
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:: <i>Counter, </i>paper, xerox transfer, linen, found images, 2015 ::</div>
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:: <i>all its possibilities, </i>xerox print, 2015 ::</div>
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:: <i>1 am you 13 times, </i>handmade paper and ink,<i> </i>2015 ::</div>
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:: <i>Instruction, </i>letterpress, xerox print, paper, linen, 2015 ::</div>
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:: <i>Album, </i>xerox transfer, letterpress, paper, linen, 2015 ::</div>
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<br />HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-32179523083498657122015-08-04T10:55:00.002-07:002015-08-04T10:56:04.476-07:00Shane Darwent: Southside All Stars<h1 style="background-color: white; color: #999999; font-family: Georgia, 'Times New Roman', Times, serif; font-size: 36px; font-style: italic; font-weight: normal; line-height: 36px; margin: 0px; padding: 0px;">
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This month I am curating a solo exhibition of work by Shane Darwent at Napoleon Gallery. Shane and I met at Penland School of Crafts, we were both in the <a href="http://penland.org/programs/core_fellowship.html" target="_blank">core fellowship program</a> and were roommates. We collaborated on a series together titled <i><a href="http://mariannedages.com/section/363979_FIVE.html" target="_blank">Five</a> </i>a few years ago. In the last couple of years, I've been following his work with great interest, watching him combine the mediums of photography and sculpture in new ways. It's been a pleasure working with him to put this show together. Rachel White wrote an excellent essay for the exhibition, which you can read <i><a href="http://napoleonnapoleon.com/2015/08/01/invisible-city-shane-darwents-southside-all-stars-by-rachel-white/" target="_blank">here</a></i>.<a href="https://www.blogger.com/"></a></div>
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The exhibition opens this Friday from 6-10pm (more info below). We hope to see you there!</div>
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Southside All Stars</h1>
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A SOLO-EXHIBITION BY SHANE DARWENT, CURATED BY NAPOLEON MEMBER MARIANNE DAGES</h3>
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<em>In </em>Southside All Stars<em>, litter-dappled grass becomes a painterly celebration of grotesque beauty. Colorful, plastic still-lives are like empty sets, ripe with possible narratives. </em><em>Darwent draws inspiration from the semi-urban landscape of his Chattanooga neighborhood and presents photographs and sculptures that encourage us to contemplate the role of material culture in our lives and in the lives of a community at the edge of opportunity. </em></div>
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<strong>Opening Reception</strong><br />
<strong>First Friday, August 7th</strong><br />
<strong>6pm – 10pm</strong></div>
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NAPOLEON<br />
319 N 11th Street, 2L<br />
Philadelphia, PA</div>
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Exhibition Dates: 8.7.2015 – 8.28.2015<br />
Galllery Hours: Saturdays and Sundays 2pm – 6pm or by appointment</div>
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<a href="http://www.shanedarwent.com/" style="color: black; font-style: italic; text-decoration: none;" target="_blank">www.shanedarwent.com</a><br />
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-29930888428218359592015-06-29T10:37:00.001-07:002015-06-29T10:37:07.395-07:00Haystack, Maine<div class="separator" style="clear: both; text-align: left;">
I just got back from two weeks in Maine at <a href="http://www.haystack-mtn.org/" target="_blank">Haystack Mountain School of Crafts</a>. I took a class taught by <a href="http://www.plainweavestudios.com/" target="_blank">Rachel Meginnes</a>, <i><a href="http://www.haystack-mtn.org/programs/summer-workshop-sessions/session-1/" target="_blank">Triple Knot: Stitching, Writing, and Conversation</a>. </i>It was incredibly interesting to work outside my usual medium. Although while working with thread and cloth, I did manage to turn paper into "cloth" through the technique of <a href="https://vimeo.com/52397828" target="_blank">shifu</a>, a spun paper thread. It was a wonderful class, full of interesting conversations and new ideas. </div>
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And next Friday, I am driving down to <a href="http://penland.org/" target="_blank">Penland School of Crafts</a> to assist <a href="http://janaharper.com/home.html" target="_blank">Jana Harper's</a> class <a href="http://penland.org/classes/summer/summer_session_4.html" target="_blank">The What & the Why: Books as Idea Generators...</a></div>
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:: branch weaving ::</div>
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:: paper weaving ::</div>
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:: lichen hanging on a lichen thread ::</div>
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:: little experiments I made in the class ::</div>
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:: Penobscot Bay ::</div>
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:: halftone colors ::</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrFgHTjHlHpSuDbCP15-aqkc6VdqnL1ZP6ZoUEm4L5Cr9gX_3mQABJ2rOeFwKuHOWyiilAeoMUX-_ilqS2Agwg4c0-yM6cPhtzMbI6YYUpfqXfFkEfI5EMJhhjQ-LZD84YKk7MEzWscew/s1600/IMG_9545sm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrFgHTjHlHpSuDbCP15-aqkc6VdqnL1ZP6ZoUEm4L5Cr9gX_3mQABJ2rOeFwKuHOWyiilAeoMUX-_ilqS2Agwg4c0-yM6cPhtzMbI6YYUpfqXfFkEfI5EMJhhjQ-LZD84YKk7MEzWscew/s640/IMG_9545sm.jpg" width="640" /></a></div>
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:: pink lichen ::</div>
HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-56595818859684432982015-06-05T07:42:00.000-07:002015-06-05T07:42:05.080-07:00Website Updated, & More News<div class="separator" style="clear: both; text-align: center;">
<a href="http://mariannedages.com/artwork/3780533_Cloud_Copy.html" target="_blank"><img border="0" height="478" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5wEsDi0MzrAxCnfU1-Rge07XkwhZY6c0XHpX0wldctMrOrdKNT-lNUe67JWXCGXDrCyeTJ6_unVdBD67n1PGDjXX6WKJLqPz5BexRstNuGlhpNmj3m1QADn_jHFAK1Zso10e5SjU_sfI/s640/tumblr_npeer1MLGu1rf44fyo1_1280.jpg" width="640" /></a></div>
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:: Marianne Dages, <i>Cloud Copy, </i>transfer paper, paper clay, letterpress, 2015 ::</div>
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I recently updated my website, to reflect some of the work I've done in the last six months. There is lots of new work, new <a href="http://mariannedages.com/section/393414_ARRANGEMENTS.html" target="_blank">arrangements</a>, new <a href="http://mariannedages.com/section/404334_AN_EQUIVALENT.html" target="_blank">prints</a>, and two new editions, <a href="http://mariannedages.com/section/416644_A_SINGLE_FREQUENCY.html" target="_blank">A Single Frequency</a> and <a href="http://mariannedages.com/section/416660_POEMS_FOR_PASSING_SHIPS.html" target="_blank">Poems for Passing Ships</a>. </div>
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I am also working on a new book, as yet untitled, involving mirrors and text.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQlQ20JNvHU33eXcQMLcljlW2Cxj1M_xzHP7IPEajIZdTfZ0qalVY5VgLLTYHdBccoZulak5GP4KfcrZlu-KfVuh1CKR6L9SR6oSlGmpAI83gA-EjVvb8SOL26DkCcO2cJXzgqY3I-DKo/s1600/photo+%25281%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQlQ20JNvHU33eXcQMLcljlW2Cxj1M_xzHP7IPEajIZdTfZ0qalVY5VgLLTYHdBccoZulak5GP4KfcrZlu-KfVuh1CKR6L9SR6oSlGmpAI83gA-EjVvb8SOL26DkCcO2cJXzgqY3I-DKo/s640/photo+%25281%2529.JPG" width="476" /></a></div>
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:: New book ! ::</div>
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Back in January, I was interviewed for a segment about the art of the book for the WHYY program Articulate with Jim Cotter. </div>
<br />The segment which includes footage of my process and work, will air two more times. <br /><br />- Thursday, 7/30 at 10:30 pm<br />- Sunday, 8/7 at 1 pm.<div>
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:: Clip with Articulate with Jim Cotter ::</div>
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If you don't have WHYY, you can still watch the full episode <a href="http://video.whyy.org/video/2365494609/">HERE</a>, just the segment on books as art <a href="http://video.whyy.org/video/2365494609/?start=702">HERE</a> and an interview extra with me about the value of art <a href="https://www.youtube.com/watch?v=3FkcK_9Jnvc">HERE</a>.</div>
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This July, I will be assisting a <a href="http://penland.org/classes/summer/summer_session_4.html" target="_blank">Jana Harper's class, <i>The What & the Why: Books as Idea Generators</i></a> this summer at Penland School of Crafts. <div class="separator" style="clear: both; text-align: justify;">
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:: Books by Jana Harper ::</div>
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The class runs July 5th - the 17th, there may even be a spot or two left, check <a href="http://penland.org/classes/summer/summer_open_classes.html" target="_blank">HERE</a> if you're interested in enrolling. I'm really looking forward to this, Jana is an amazing artist, this is going to be a fascinating class, the kind that will supply you with ideas for years to come.<br />
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And last but not least, if you missed the Summer Newsletter, with upcoming exhibitions and publications, you can read it <a href="http://us9.campaign-archive2.com/?u=9ab51679e7079e2353492b663&id=515f087ffb&e=0b0162cceb" target="_blank">HERE</a> and sign up <a href="http://mariannedages.us9.list-manage.com/subscribe?u=9ab51679e7079e2353492b663&id=283a499ba3" target="_blank">HERE</a> to receive future ones every couple of months. </div>
HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-85090724660669856662015-05-31T18:01:00.001-07:002015-05-31T18:01:33.243-07:00Recent Work<div class="separator" style="clear: both; text-align: center;">
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<br />HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-2154410392043081272015-05-03T12:03:00.003-07:002015-05-03T12:03:26.711-07:00Alaska Journal<div class="separator" style="clear: both; text-align: left;">
I've been on a bookbinding roll lately, trying to refine my hardcover binding technique and find the best possible way to refill old books. My goal is to make attractive, durable bindings that do not obscure the books original endpapers. </div>
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This book is one I've had for several years, I bought it at a thrift store. In fact, <a href="http://huldrapress.blogspot.com/2011/02/gone-thrifting.html" target="_blank">it's appeared on this blog before</a>. It's a National Geographic Collection of articles about Alaska. I read the book cover to cover (I am fascinated by cold, remote places) and kept it because I thought the cover design was lovely. </div>
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The best part is that I was able to remove the library card from the discarded portion of the book and place it onto the back endsheet, a nice detail I thought. </div>
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:: Alaska, cover :: </div>
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:: Front inside, with original endsheets, new matching cloth hinge, and a new text block ::</div>
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:: The book's original library card, salvaged and reattached ::</div>
<br />HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com1tag:blogger.com,1999:blog-1353689875988843790.post-64729001946737328712015-04-30T11:17:00.001-07:002015-04-30T11:17:29.505-07:00Other Selections at The Center for Art in Wood<div class="separator" style="clear: both; text-align: center;">
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I will be showing new work in Other Selections: Local Artists Respond to The Museum Collection, at <a href="http://www.centerforartinwood.org/" target="_blank">The Center for Art in Wood</a>. The show will be up May 1st - July 18th. Tomorrow, Friday May 1st will be the First Friday opening event, from 5-8. This promises to be an incredible show, with diverse work from 19 Philadelphia Artists. I hope to see you there.</div>
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Artists: Jaime Alvarez, Todd Baldwin, Timothy Belknap, Marc Blumthal, Mark Brosseau, Lewis Colburn, Patrick Coughlin, Marianne Dages, Christina P. Day, Leslie Friedman, Jason Gandy, James Johnson, Ryan McCartney, Alexis Nutini, Joanna Platt, Terri Saulin Frock, H. John Thompson, and Tamsen Wojtanowski</div>
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:: A part of <i>Reading Variations, </i>letterpress print on paper and vellum,<i> </i>2015, Marianne Dages ::</div>
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<br />HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-11343346809021700892015-04-21T15:02:00.002-07:002015-04-21T15:02:36.864-07:00Preparing for the Philadelphia Art Book Fair<div class="separator" style="clear: both; text-align: center;">
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:: a display portfolio for prints ::</div>
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I've been working long days and evenings getting ready for the <a href="http://www.phlartbookfair.com/" target="_blank">Philadelphia Art Book Fair</a>. All the little details for display, like pricing, packaging, etc. always take longer than I think they will, but it's starting to come together.</div>
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Mark Cohen will be speaking on Friday. He's one of my favorite artists. Seriously, you have to be pretty important to me and my practice to have made this little list below. There's some pretty heavy hitting programming scheduled, <a href="http://www.phlartbookfair.com/programming/#lectures-friday" target="_blank">I suggest you take a look</a>.</div>
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:: sketchbook drawings and list of influences ::</div>
HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-25741145932939326602015-04-11T11:50:00.000-07:002015-04-11T11:50:43.036-07:00Studio Thoughts<div class="separator" style="clear: both; text-align: center;">
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<br />HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-35102573219922267872015-04-07T08:08:00.000-07:002015-04-07T08:08:12.789-07:00Philadelphia Art Book Fair 2015<div class="separator" style="clear: both; text-align: center;">
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:: <a href="http://www.phlartbookfair.com/" target="_blank">Philadelphia Art Book Fair</a> ::</div>
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I had to take it a little easy in the studio this weekend because I came down with a nasty cold. But I did manage to do some prep work for the <a href="http://www.phlartbookfair.com/" target="_blank">Philadelphia Art Book Fair</a>, coming up April 24th and 25th. I'm excited to participate in this event, which will host a diverse group of institutions, presses, and individual artists. I highly recommend taking a look through the <a href="http://www.phlartbookfair.com/exhibitors-2015-name/" target="_blank">exhibitor list</a>. Closer to the event date, there will also be events and lectures to check out too. </div>
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My main focus will be recent experimental letterpress edition books and prints, but I will also be bringing a small selection of unique handmade journals for sale as well. </div>
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:: unique handmade books ::</div>
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HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0tag:blogger.com,1999:blog-1353689875988843790.post-34545611777958950342015-03-31T12:32:00.001-07:002015-03-31T12:32:28.709-07:00One day, the sea will overflow into the valley and roll over all...<div class="separator" style="clear: both;">
I was working on an artist's statement today and writing, <i> "...paper; fleet and quiet carrier of words and questions</i><i>...an intent to look with an eye that sees both the mystical and the negligible as valid and acknowledges their equivalents and connections."</i></div>
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Fleet sources and thoughts. Belief in world's beyond our own perceptions. Beauty in the ability in people to create their own realities for whatever reason.</div>
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I keep thinking about an illustration of a wave I found in an old children's book and its caption </div>
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<i>One day, the sea will overflow into the valley and roll over all...</i></div>
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<br />HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com1tag:blogger.com,1999:blog-1353689875988843790.post-26374905469215181802015-03-14T11:43:00.000-07:002015-03-14T11:43:43.084-07:00What does the white light mean?<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdWVZAtMm0c2Tg9_p3xBDK8meapPMcoBPUtYcm5vRA7kVYaUxZAE1A_CIX3yV7PrnuENGhviCp_rPLLzP99aBYxhVrEhc8lb9ks8q3mY7GZ-u7f-OFi4lB4nrA3jj7DEuIcBAP42WZR3s/s1600/IMG_9391sm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdWVZAtMm0c2Tg9_p3xBDK8meapPMcoBPUtYcm5vRA7kVYaUxZAE1A_CIX3yV7PrnuENGhviCp_rPLLzP99aBYxhVrEhc8lb9ks8q3mY7GZ-u7f-OFi4lB4nrA3jj7DEuIcBAP42WZR3s/s1600/IMG_9391sm.jpg" height="476" width="640" /></a></div>
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:: <i>Reading Variations</i>, in progress, 2015 ::</div>
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Still working on this piece titled <i>Reading Variations.</i> It's starting to come together. </div>
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<i>What does a mist or white light mean?</i></div>
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<i>What does a single white light on a boat mean?</i></div>
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<i>What does the white light mean?</i></div>
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:: detail, letterpress on frosted mylar over letterpress print on paper ::</div>
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:: detail, in progress ::</div>
HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com2tag:blogger.com,1999:blog-1353689875988843790.post-91513369368767429222015-03-10T08:12:00.001-07:002015-03-10T08:12:59.657-07:00Reading Variations II<div class="separator" style="clear: both; text-align: center;">
This is a letterpress print of the drawing from the <a href="http://huldrapress.blogspot.com/2015/03/reading-variations.html" target="_blank">previous post</a>.</div>
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:: <i>Reading Variations, </i>letterpress print on paper, 2015 ::</div>
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:: detail ::</div>
<br />HULDRA PRESShttp://www.blogger.com/profile/06234493651514571697noreply@blogger.com0