Tuesday, November 4, 2014

Iceland: Looking Back

I've looking through my photographs from Iceland for an upcoming talk. It's been a whole year, it feels like a dream. 










Saturday, November 1, 2014

Sunday, October 12, 2014

Northern Flowers





Northern Flowers


after the electrical fire
absence changed

imaginary empires
now meteors

the earth
of sheep
the skies,
the sea

this sentiment
felt like a death

reshaping itself
outside my eye

red
northern flowers

arcadian rest

Thursday, October 9, 2014

Philadelphia Open Studio Tours 10/25 and 10/26


I will be opening my studio up to the public from 12-6pm on October 25th and 26th as part of POST, Philadelphia Open Studio Tours. This yearly event is hosted by The Center For Emerging Visual Artists and it is a great opportunity to meet working artist's in Philadelphia and get a rare glimpse at the studio's in which they work.

This year, I was so lucky to be interviewed for Paperclips215 by Aimee Gilmore and have some beautiful photographs taken of my space by Keristin Gaber. I really enjoyed my conversation with Aimee, an artist herself. We talked about the history of letterpress and about language and about the tools I use in my shop and what they do.

So I hope you'll come visit the Huldra Press studio the weekend of October 25th and 26th at Globe Dye Works. I'll have a small exhibition of recent projects up on the wall and a little something on the press to print and take home. There will be many other interesting studios to visit in the building and in the neighborhood as well, you can see a list here.

And you can view a little more info about my studio and the address HERE.

Hope to see you there.



Photographs by Keristin Gaber of PaperClips215

Thursday, October 2, 2014

Recent Dreams


Recent Dreams:

Two blond women in a narrow walkway space outside of an office building. Beautiful late afternoon winter light. One is nude, sitting atop a stuffed gray goose that is being dragged around the space by the other. They say to me, "We make art in sad places." "We are making difficult art."

Standing next to an old and frail William Burroughs, we are reading a book together that looks like an oversized dictionary. I am holding his wrist as he moves his hand across the words on the page. He is wearing a suit and hat. A piece of text about dusty and decayed wooden window shutters. Maybe the first time I can remember looking at words and reading them in a dream.

Friday, September 26, 2014

Start Over

A selection of images from Start Over, a collaboration between Huldra Press and Justin Staller, which we will be debuting at the Philalalia small press poetry and art book fair at Tyler School of Art in Philadelphia, PA tomorrow.

:: do-si-do ::

The structure of the book is referred to as a "do-si-do" or back to back binding. There cover is a long strip that connects the two sides of the book, two separate "stories" connected by an interest in cut-up writing.
:: dreams ::

My side of the book is a collection of dreams I've recorded over the years.


:: typewriter strip poems ::

Justin's side is a collection of cut-up poems that were written using typewriter ribbon from correspondence between himself and his grandfather.

:: typewriter type ::

The two sides are connected together through the typewriter aesthetic, in part a reference to the work of William S. Burroughs, who's own work was so deeply influenced by dreams and the cut-up writing technique.

:: dreams and the backs of wood type ::

My dream portion is illustrated with the backs of wood type. There is something very appealing to me about the idea of printing the back of letters, the part that can't be read. It is like the feeling people describe not being able to read in their dreams.

:: wood shape and handset metal type ::

:: ribbon ::

Justin's portions are illustrated within the text itself, using the actual typewriter ribbon as image. The ribbon is repeated through the cover, which itself wraps around, joins, and contains the two books.

:: on with this epic ::

Start Over will be available for viewing and sale tomorrow, Saturday September 27th at Philalalia. Following the fair, it will be available online. Edition of 40, letterpress printed, hand painted, and silkscreened.




Tuesday, September 23, 2014

Equivalents

 :: Marianne Dages, 2014 ::

:: Marianne Dages, 2014 ::

These prints were made with earth collected in Penland, North Carolina during a short residency. The earth, a mix of mica, sand, and soil, was arranged on a letterpress printing plates and exposed to light to create a raised surface to accept ink. The plates were then printed, the resulting images reminiscent of the stars.